The Boundary at Moreland Village large-scale commission

April 21st, 2017

Longtime friend Joni Vanderslice at J. Banks Design commissioned a large-scale print installation for The Boundary at Moreland Village in Bluffton, SC. Rick Rhodes photographed the original “Hobcaw Barony” (batik on silk) at their Discovery Center in Georgetown, SC. Mary Edna’s assistant Celie Dailey digitally stitched the images of the multi-panel batik art. It was printed on an 18’2″ x 3’8″ canvas, at such high resolution that it looks like the original herringbone silk.

Many thanks to Joni and Laura Page at J. Banks, Rick Rhodes Photography and Celie for all their support!

Sumter “Lowcountry” opening and artist talk tonight!

February 23rd, 2017

“Lowcountry” Silks & Oils
February 23 – April 21
Opening reception February 23rd, 5:30 – 7:30 pm
Artist talk 6:30 pm
Sumter County Gallery of Art
Sumter, SC

Hummocks, oil on panel, 4″ x 12″

Edisto Island Preservation Alliance exhibit and talk

December 6th, 2016

As guest speaker for the Edisto Island Preservation Alliance Annual Meeting, I put up a one-day exhibit for my talk “Mary Edna Fraser, Artist, Environmentalist” on November 6th, 2016. Cecelia Dailey helped hang the batiks in their beautiful old barn. What a wonderful group of environmentally-minded folks gathered to continue conservation of the ACE Basin!

"Mary Edna Fraser, Artist, Environmentalist" Edisto Island Preservation Alliance Annual Meeting, November 2016

"Mary Edna Fraser, Artist, Environmentalist" Edisto Island Preservation Alliance Annual Meeting, November 2016

"Mary Edna Fraser, Artist, Environmentalist" Edisto Island Preservation Alliance Annual Meeting, November 2016

"Mary Edna Fraser, Artist, Environmentalist" Edisto Island Preservation Alliance Annual Meeting, November 2016

Mary Edna Fraser exhibits with photographer Cecelia Naomi Dailey at Spring Island, SC

December 5th, 2016

Mary Edna Fraser’s oils paintings, both plein air and large scale studio pieces, capture the vibrancy of the lowcountry landscape. Cecelia Naomi Dailey‘s photographs use a camera-less technique called lumens, where plant materials are collected and laid on top of photo paper to create a light impression. Both artists extensively research and ground-truth the locations they depict in their chosen media. Fraser is known for her aerial imagery and working with Duke geologist Orrin Pilkey to educate the public on the fragile coast. Dailey works with Citadel botanist Richard Porcher on books and multi-media presentations which explore the relationship between culture and natural history. Spring Island hosted the two as artists in residence where they stayed for a week (November 6-12th, 2016) exploring the woods and marshlands as inspiration for their work. Their collaborative talk “Artists as Activists” and exhibition opening was November 9th.

Mary Edna Fraser and Cecelia Naomi Dailey, Spring Island Artists in Residence, exhibition November 9, 2016

Cecelia Naomi Dailey, Spring Island Artist in Residence, exhibition November 9, 2016

Mary Edna Fraser, Spring Island Artist in Residence, exhibition November 9, 2016

Mary Edna Fraser, Spring Island Artist in Residence, exhibition November 9, 2016

Mary Edna Fraser, Spring Island Artist in Residence, exhibition November 9, 2016
Mary Edna Fraser and Cecelia Naomi Dailey, Spring Island Artists in Residence, exhibition November 9, 2016

Cecelia Naomi Dailey, Spring Island Artist in Residence, exhibition November 9, 2016

PleinAir Magazine features “Akaiyan Falls”

December 5th, 2016

PleinAir Magazine Dec/Jan 2017 issue (now available on newsstands) featured my “Akaiyan Falls” oil on panel, framed 8″ x 24″ as 1 of 11 in their series of National Parks Porfolio.

Akaiyan Falls, 8" x 24" oil on panel, framed

Akaiyan Falls, 8″ x 24″ oil on panel, framed

CATEGORIES: Art Work, News, Oil Paintings |

PleinAir Magazine features Mary Edna’s oil painting

November 30th, 2016

The Oct/Nov 2016 “Shoreline” Expanded Digital Edition Content of PleinAir Magazine featured Mary Edna Fraser’s large scale “Shem Creek Park” oil on canvas.

View the Shoreline, Digital Expanded Edition Content. Mary Edna’s art is on page 2.

Shem Creek Park, oil on canvas, 32" x 83.5"

Shem Creek Park, oil on canvas, 32″ x 83.5″

CATEGORIES: Art Work, News, Oil Paintings |

Anthropocene Magazine features Mary Edna’s batik

October 27th, 2016

An image of Mary Edna Fraser’s batik on silk “Hurricane Katrina” 50.625” x 53.75” was featured on the first page of the inaugural edition of Anthropocene Magazine, October 2016.

Anthropocene Magazine, October 2016, first page spread featuring Mary Edna Fraser's batik on silk "Hurricane Katrina"

Anthropocene Magazine, October 2016, featuring Mary Edna Fraser’s batik on silk “Hurricane Katrina”

"Hurricane Katrina" batik on silk, hanging on a decorative curtain rod in the studio with silk scarves below

“Hurricane Katrina” batik on silk, hanging on a decorative curtain rod in the studio with silk scarves below

Anthropocene Magazine, October 2016, cover

Anthropocene Magazine, October 2016, cover

Tags:
CATEGORIES: Art Work, Batiks, Educational, News |

Batik workshop at the University of North Texas

October 25th, 2016

The Fibers Department of the University of North Texas sponsored a 2-day batik workshop for graduate students facilitated by their professor Amie Adelman. The students were amazing. I hope to return to Denton to teach monotyping and have an exhibition.

UNT workshop with Mary Edna Fraser

UNT workshop with Mary Edna Fraser

UNT workshop with Mary Edna Fraser

UNT workshop with Mary Edna Fraser

UNT workshop with Mary Edna Fraser

UNT workshop with Mary Edna Fraser

UNT workshop with Mary Edna Fraser

UNT workshop with Mary Edna Fraser

UNT workshop with Mary Edna Fraser

UNT workshop with Mary Edna Fraser

Hobcaw Barony’s firetower view has come to an end

October 24th, 2016

Hobcaw Barony’s firetower blew down in our recent storm, Hurricane Matthew. It marks the end of an era in my painting. One of my favorite things to do is paint plein air from an elevation point. Here are the first two oils done at Hobcaw Barony from this location. “From the Firetower I” was just acquired by Beth Thomas.

From the Firetower II, oil on panel, framed, 8” x 24”

From the Firetower II, oil on panel, framed, 8” x 24”

From the Firetower I, oil on panel, framed, 12” x 12” SOLD

From the Firetower I, oil on panel, framed, 12” x 12” SOLD

CATEGORIES: Art Work, News, Oil Paintings, Process |

Hobcaw Barony oil paintings

August 17th, 2016

I climbed the firetower in the heat of summer at Hobcaw to make small paintings en plein air for several days. Inspired, I returned to the studio with digital panoramic photographs and produced two large 20″ x 60″ oils on canvas. Email or give a call to come by the studio to see the new work.

Hobcaw Nocturne, oil on canvas, 20" x 60"

Hobcaw Nocturne, oil on canvas, 20″ x 60″

High Tide, oil on canvas, 20" x 60"

High Tide, oil on canvas, 20″ x 60″

Mary Edna Fraser painting in the studio

Mary Edna Fraser painting in the studio

CATEGORIES: Art Work, News, Oil Paintings, Process |