Spring Island workshops with Cecelia Dailey and Mary Edna Fraser

February 22nd, 2018

Canna I, lumens photogram, Cecelia Dailey

Lumens photograms in progress, Cecelia Dailey

Cecelia Dailey and Mary Edna Fraser will host consecutive workshops on Spring Island the first week of March. Tuition cost listed below will be reduced with additional students. Folks not living on Spring Island can stay at a hotel Beaufort, SC. Contact Pam Brickell (pbrickell@springisland.com) to reserve your space! Registration ends Monday, February 26th. Email celiedailey@gmail.com or info@maryedna.com for questions. The duo will also have an artists’ reception on March 7th and they will give a trust talk on March 8th on Spring Island, SC.

March 5 & 6 – 2-day Lumens Photography Workshop using Natural Materials with Cecelia Dailey, 9 AM-3 PM, $220 plus $15 materials fee
The camera-less photography technique “lumens” uses direct contact of materials on photo paper to create one-of-a-kind images. Dailey will take students on a nature walk each morning to collect plants, and spend the afternoon processing and arranging material, and some exposures left overnight. Photo papers, both 8 x 10 and 11 x 17, as well as warm tone papers, create a range of artistic options. Students will be invited to make up to multiple prints each day. Dailey will provide technical information on the photographic process, as well as a wealth of knowledge on the local flora. Her work which bridges art and science has been informed through collaborations botanist Richard Porcher. Cecelia Dailey holds a BFA in Filmmaking & Photography, BA in Philosophy, and is currently a Master’s student in Biology at The Citadel. She is an author of numerous articles on art and the environment, and her forthcoming book, The Batik Art of Mary Edna Fraser, USC Press, is due out in 2019.

March 7, 8, & 9 – 3-Day Landscape Plein Air Workshop with Mary Edna Fraser, 9 AM-3 PM, $350 plus $35 materials fee
This course explores plein air palette knife and brush painting on panel. Choosing your composition, underpainting, glazing, scumbling, transparent vs. opaque oils, adventurous colors, and finding your individual voice are emphasized. Feel free to bring any supplies you enjoy and/or recommended supplies. Mary Edna uses Gamblin oils and their Landscape Palette as well as contemporary Radiant colors. She works on Raymar Claessens #15 Double Primed Linen Panels. A variety of palette knives will be available from Mary Edna to try out during the class. Participants are encouraged to bring a palette knife of their choice. Mary Edna’s materials (a squirt of an oil color, etc) will also be available with the materials cost. You will need sunscreen, hat, bug spray, comfortable clothes, water, snacks, and paper towels. Be prepared to work outdoors. We will have fun!

From Betsy’s Pond, 8″ x 24″ oil on panel, Mary Edna Fraser

Plein air oil painting in progress, Mary Edna Fraser

Meditative, 12″ x 16″ oil on panel, Mary Edna Fraser

Upcoming workshop in Tallahassee, Florida still has openings

August 6th, 2013

My recent class “Mapping Your Personal Landscape Two-Day Batik Workshop” at the Textile Museum in Washington DC was a success. There are still openings for the SPIN workshop in Florida this weekend.

SPIN (SILK PAINTERS INTERNATIONAL), TALLAHASSEE, FL—August 9-11, LeMoyne Center for the Visual Arts. Instructors include Mary Edna Fraser, Jan Janas, Diane Tuckman, Diane Lawrence, Deborah Younglao, Suzanne Punch and Marcia Ferris. See festival website to register for the master classes.

Mary Edna Fraser

CATEGORIES: Educational, News, Process |

Sydney with Sylvia

October 27th, 2009

While staying in the lovely home of Sylvia Riley, I taught one more batik workshop in Sydney which she kindly organized. There were 9 students creating marvelous works. I am thinking about doing more workshops here in America, so email me if you want to be informed in the future.

My dyes are procion, invented in 1952 and are fiber reactive which means they bond with the cloth with alkaline chemistry and heat. Every color is a different chemical combination and the results are the most colorfast in the industry of dyeing. Each day I made a new batch of dyes progressively darker in hue. Gloves and a mask, as well as good ventilation, are a must in mixing dyes as they are carcinogenic. The dyes last only a day after chemistry is added.

Here is my demonstration batik in process with the first dye-bath blended from underneath and the second layer of dyes waxed. The image is of a photo taken of a hummock on the way to Folly Beach from my home on James Island in SC. Artistic changes bring water to the foreground, a new sky and more interesting colors. The wax is 50% beeswax and 50% paraffin. The finished silk will be in the KIMONO SILKS exhibit opening on December 10th in Charleston.

Two of my students are aboriginal leaders of their culture, Teekee and Shaun. I hope to have a chance to visit them again with my band, Lime & the Coconuts.

Toni had the most extensive brush collection and she gifted me with a tjanting tool, a copper bowl with a spout that is used to draw with the hot wax, from Indonesia.

Sylvia’s batik of  an octopus first and third dye bath. You can usually have 4 dye baths before the wax begins to disintegrate.

More Students’ Artwork Part 2

October 24th, 2009

More Students’ Artwork

October 23rd, 2009

My Students – Forum in Geelong

October 9th, 2009

My students at the Forum in Geelong did some very fine batiks. I hope to return in two or three years back to Australia to teach and exhibit again for TAFTA. The artistic exchange is one of my finest experiences. Each person I taught really informed me about the art form as I witnessed their explorations. New friends were made in this journey that will greet me on the return. Here are some of the batiks made in this class.